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Monthly Archives: July 2026

Forever Young: Why Rod Stewart Puts Me in a Parenting Predicament

July 29, 2026 by mark124
A Marvel-style sketch on a napkin of Mark Riccadonna reflecting on his role as a son and a father while listening to Rod Stewart.

There is a specific kind of emotional imbalance that occurs when certain songs hit the speakers in the car. For some, it might be a Springsteen anthem or a Dylan ballad, but for those of us navigating the middle innings, Rod Stewart’s “Forever Young” is the one that really gets me. It isn’t just a catchy tune with a mandolin; it’s a full-blown existential crisis wrapped in gravel.

Whenever those first few bars start, the internal compass starts spinning. Am I the son in this story, still looking up at a father who seemed ten feet tall? Or am I the father, looking down at my own kids and wondering if I remembered to pack enough wisdom in their suitcases? Turns out, I’m both. And trying to exist in both spaces at once is a little emotionally messy.

“May the good Lord be with you down every road you roam…”

When Rod kicks off the song with that line, my mind immediately jumps to my old man. I am convinced I have the greatest father in the world — bold claim, I know, but I’ve checked the stats and the math checks out. He has always been the one standing behind me, teaching me the difference between right and wrong, and, more importantly, the difference between doing what’s easy and doing what’s right.

Growing up, that was the law of the land. My dad didn’t just tell me how to behave; he showed me. He’s the kind of guy who has my back whether I’m pursuing a straight-laced career or becoming a comic, which is basically the “vagabond” option on the career menu. I honestly hope I can pass down even 10% of what he taught me to my own kids. If I can manage to be half of what he is to me, I’ll consider my parenting career a win.

It’s a strange feeling to be a grown man with a mortgage and a salt-and-pepper beard, yet still feel like that kid who needs his dad’s nod before making a big move. But that’s the power of a good father: they become the internal voice that guides you long after you’ve left the house.

“And may you grow to be proud, dignified and true…”

These lyrics hit on a philosophy I try to live by: leave the place nicer than you found it. Most people think of that physically — pick up your trash, don’t wreck the hotel room like a rock star in a bad sitcom — but it applies just as much to people and emotions.

I want my kids to grow up with that same sense of dignity. I don’t care if they end up doing neurosurgery or competitive unicycling, as long as they’re “dignified and true” while doing it. My hope is that when they walk out of a room, a relationship, or a quick supermarket chat, the other person feels a little bit better than they did before.

Happiness isn’t a destination; it’s a byproduct of how you treat people. (Though, let’s be honest, I’m lazy, so I only manage to be emotionally uplifting a couple of times a month.) If I can teach them that goodness is a choice you make every morning, I’ll feel like the song’s prayer is doing its job.

“Build a stairway to heaven with a prince or a vagabond…”

This lyric is essentially my life story in ten words. For years, I was the quintessential vagabond. I traveled the world, told jokes in sweaty clubs, and lived out of a suitcase with no permanent address. I was a nomad by trade and by choice.

Then I found Angie. And then came the kids.

Suddenly, the nomad had a home base. I didn’t stop traveling — touring is still the lifeblood of what I do — but my perspective shifted. I became what I call a “Domestic Nomad.” It’s actually the title of my latest comedy special because it captures that weird duality: one night I’m under stage lights in a city I can’t quite pronounce, and the next morning I’m negotiating with a toddler about why we can’t have ice cream for breakfast. (I mean, we can, we just shouldn’t.)

The “stairway” isn’t built with riches; it’s built with the connections you keep. Whether I’m hanging out with high-rolling industry types or fellow road comics, the only thing that keeps me grounded is the family I come back to. Being a good husband and father is the hardest gig I’ve ever booked, but the payoff actually matters.

“And when you finally fly away…”

The final section of the song is where it really gets you. Rod sings about the moment the kid finally flies away, and the parent hopes they served them well. It’s a gut-punch.

I think back to when I first left home. My dad was right there, the wind beneath my wings. He let me go, but he never stopped watching the horizon. Now, I see my own kids growing up at a speed that defies physics, and I realize I’ll eventually be the one standing on the ground, watching them take off.

Whatever road they choose, I want them to know I’m right behind them. Win or lose, prince or vagabond. We spend the first half of our lives being the young ones and the second half trying to make sure the next generation stays forever young in spirit.

The Soundtrack That Built Me

July 17, 2026 by mark124

Original comic hero illustration of a charismatic musician with guitar and musical energy around him.

People always ask what kind of music I like.

It’s like asking someone, “Which oxygen was your favorite?” Music isn’t wallpaper or a snack. The songs you hear at the right time don’t just entertain you — they move into your head and rearrange the furniture.

I’ve realized there are two artists who can absolutely derail my day. Not because they’re sad, not because they’re nostalgic. Because they accidentally left fingerprints of who I became.

The first is Steve Poltz. Well… technically, the Rugburns first. I found the Rugburns back in junior high, which is a wonderfully awkward period of life. You’re old enough to develop opinions but too young to realize nearly all of them are ridiculous. You’re trying to become a person using whatever scraps you can find: a movie quote, a T-shirt, one cool older cousin, and a band nobody else in your school has heard of.

For me, one of those building blocks was the Rugburns.

Steve Poltz somehow figured out how to write songs that could be hilarious and heartbreaking at the exact same time. One minute he’d be singing something completely absurd; the next, he’d sneak in a line that hit you square in the jaw before you even realized he’d wound up. That’s a rare gift. Most people spend their lives deciding whether they’re going to be the funny guy or the sensitive one.

Steve looked at that choice and said, “Nah… both.” That felt revolutionary to a teenage boy.

Growing up, we’re quietly taught that emotions should be rationed out like ketchup packets. Use sparingly. Don’t cry. Don’t care too much. Definitely don’t let anyone know you write and feel. Meanwhile, Steve Poltz was over there making vulnerability seem like the coolest trick in the room. He made it okay to laugh at myself at a time when I was worried I needed to have an ego.

He made it okay to care. He made it okay to be weird, and that’s a pretty decent philosophy for getting through life.

His solo career only deepened that feeling. The songs got wiser without losing the childlike curiosity. Somehow, he became even more himself, which is probably the hardest thing anyone can pull off.

There are people I’ve met over the years who remind me of Steve — not because they look like him or sound like him, but because they aren’t afraid to be emotional one second and completely ridiculous the next. Guys like Spanky (Steven McFarland) and Buddy Bolton, who were always silly, caring, and empathetic. They stood up for things even when it wasn’t their fight. They were some of the first guys I saw push back against sexism, homophobia, and racism, and they were straight white dudes.

Those are my people. Life’s too short to trust anyone who’s serious or tough all the time.

I’ll be driving on some completely ordinary, boring day — probably to Lowe’s or PetSmart, because that’s where middle age takes you — and one of his songs comes on. Suddenly, I’m not driving anymore.

I’m seventeen. Or twenty-two. Or living in New York. Or sitting in somebody’s apartment laughing until two in the morning. It’s amazing how a little melody can ignore every law of physics and time travel without any effort.

Steve also has one of my favorite creative habits: he writes constantly. Sometimes on the fly, sometimes in songwriting challenges where everyone throws ideas around just to see what happens. Imagine if accountants did that. “Okay, everybody… you’ve got twenty minutes to invent a funnier tax code.” The world would be a different place. Instead, musicians do it, and occasionally one of those spontaneous songs ends up changing someone’s life. Mine included.

A Few Songs That Never Really Left Me

  • Tree Hugger — One of Steve’s sweetest songs, managing to be both whimsical and profound. It’s a reminder that kindness isn’t weakness and that looking at the world with childlike wonder is actually pretty smart.
  • Gold’s Gym Guy — Classic Steve: finding humor in everyday characters while making them feel completely human. Funny on the surface, but underneath it’s a reminder we’re all just figuring it out.
  • Me and Eddie Vedder — Only Steve could write a song about a rock star that feels less like celebrity worship and more like talking to a drunk old friend at the end of the night.
  • License Plate Eyes — One of those songs that sneaks up on you. Every time I hear it, I’m transported back to when my kids were newborns.
  • You Were Meant for Me — Most people know it as a Jewel song, but Steve co-wrote one of the defining tracks of the ’90s. Vulnerable without being sentimental, and timeless because of its simplicity. I’ve always had this strange feeling that, when I’m gone, this is the song people will think of when they think of me.
  • Wrong Town — Beautifully restless. It captures that feeling of wondering if you’re exactly where you’re supposed to be, or if life took a left turn somewhere back in Ohio. I feel that every time I walk into a comedy club on the road.
  • Folk Singer — Steve poking fun at himself and his tribe. Change “Folk Singer” to “Comedian” and it works even better.
  • I Want All My Friends to Be Happy — If I had to explain Steve Poltz in one song, this is it. Sincere, hopeful, and heartbreakingly honest. Let’s laugh and be good to each other.

Then there’s Townes Van Zandt.

He’s a completely different experience. I didn’t discover Townes as a kid. My wife, Angie, and I discovered him together.

That’s an entirely different kind of memory. We started watching documentaries, listening to every album we could find, following the breadcrumb trail that led us to Steve Earle, Keb’ Mo’, Guy Clark, and Blaze Foley. Good music introduces you to more good music, like it’s quietly saying, “If you liked this, wait until you meet my friends.”

Townes wasn’t background music. He was conversation music. When Angie and I lived in New York, we’d put on a Townes record and just talk. No phones. No scrolling. No notifications informing us someone we met once in 2005 posted a picture of a sandwich. Just music and conversation. Hours of it.

Now, whenever I hear Townes, I don’t think about the lyrics first. I think about us. Tiny apartments, cheap wine, and dreams that hadn’t happened yet. We’d sit there arguing about what the songs meant while one of the greatest songwriters who ever lived quietly narrated the evening.

Townes could be dark. Really dark. But darkness isn’t the same thing as hopelessness. His songs acknowledged that life hurts without pretending it isn’t still beautiful. Growing up moving out of Ohio as a teen and traveling the world alone, I understood that kind of lonely ache while still seeing the beauty around me.

Maybe that’s why I’ve always believed comedy works the same way. The best comedians and the best songwriters are standing in the exact same place; they’re just holding different instruments. One gets laughs, one gets tears. The really special ones manage both.

Every time Steve Poltz comes through the speakers, I’m reminded of the kid who needed permission to be vulnerable, ridiculous, and sincere all at once. Every time Townes Van Zandt comes on, I’m reminded that the richest moments don’t happen like a movie — sometimes it’s just two people sitting in a room, listening.

I guess that’s why certain music makes me emotional now. I’m not mourning the past. I’m grateful I got to have one worth revisiting. And if a song can still make a grown man pull over because he’s smiling too hard or trying not to cry… that’s not nostalgia. That’s proof it mattered

Classic comic-book style warm apartment scene of a couple resembling Mark and Angie listening to vinyl records together.

life rules

July 3, 2026 by mark124

# The “Common Decency” Handbook: Top 5 Rules We’re All Just Supposed to Follow![[HERO] The “Common Decency” Handbook: Top 5 Rules We’re All Just Supposed to Follow](https://cdn.marblism.com/jEGNMs-BlB4.webp)Humanity is fascinating. We’ve managed to split the atom, map the human genome, and invent a way to get a taco delivered to our front door without ever speaking to another human. Yet, for all our progress, we still haven’t quite mastered the art of existing in a shared space without accidentally, or intentionally, driving each other insane. Scientists call this the “social contract.” Most of us just call it “not being a dick.” There are certain unwritten rules that keep society from grinding into a pile of dust. These aren’t laws written in leather-bound books in a courthouse; they are the basic decencies that separate us from the animals (though, to be fair, I’ve seen golden retrievers with better etiquette than some humans).Below is the definitive, albeit unofficial, handbook on the top five rules we are all just supposed to follow.▼### 5. The Airplane Deplaning Dance**The Rule:** Wait your turn. When the plane lands, you exit row by row, starting from the front.**The Explanation:** Physics is a stubborn thing. Unless the person in Row 4 has developed the ability to turn into a liquid and seep through the floorboards, you in Row 26 are not getting off the plane any faster by standing up the second the wheels touch the tarmac. Deplaning is a sacred, chronological ritual. It is the only time in modern life where “first come, first serve” is actually enforced by a narrow aisle and the collective glares of 150 travelers. When you try to “skip” rows, you aren’t being efficient; you’re just the person everyone talks about at the baggage claim, sit down. You’re not winning a race; you’re just an asshole.![Napkin sketch showing a frantic traveler ignoring airplane deplaning rules in a cramped aisle.](https://cdn.marblism.com/oHmCNaabLaC.webp)### 4. The Chivalry of the Seat (and the Line)**The Rule:** If there is only one seat left and someone older, pregnant, or physically struggling is standing, you give it up. Similarly, if you have a full cart at the grocery store and the person behind you is holding a single lime, let them go first.**The Explanation:** This is about the “Efficiency of Suffering.” If you are a healthy 25-year-old, standing for a twenty-minute train ride is an inconvenience. For someone with a hip that was manufactured, it’s an Olympic event. The same logic applies to the checkout line. It’s a mathematical mercy. Letting the “one-item” person go ahead of your “feeding-a-small-army” haul takes thirty seconds of your time but saves them ten minutes of theirs. It’s a high-yield investment in karma.### 3. The Buffet/Freebie Integrity Test**The Rule:** Respect the “Take One” sign and the communal nature of a buffet. Don’t be the person who clears out the shrimp cocktail or empties the bowl of “Free Samples” into their pockets.**The Explanation:** Buffets are a test of character. When a sign says “Please Take One,” it’s an appeal to your higher self. It’s society asking, “Are you a functioning member of a community, or are you a raccoon in a trench coat?” When someone grabs a handful of samples, they are essentially saying their desire outweighs the rights of the next ten people to have any at all. It’s the tragedy of the commons, but with ranch dressing. Its like he’s not a CPA from New Jersey anymore; he’s a hunter-gatherer preparing for a brutal winter, all while making eye contact with the person behind him like, “Yeah, I saw you wanted one. Too bad. I’m the Captain now.”![Sketch of a comedian with a bursting thought bubble waiting to interrupt a speaking companion.](https://cdn.marblism.com/OIoKtx1ZqkK.webp)### 2. The Conversational “Wait Your Turn”**The Rule:** Listen to the other person until they finish their thought before you start talking. Do not just wait for a “gap” to jump in with your own story. This isn’t a podcast where people talk at each other.**The Explanation:** Most people don’t actually listen; they just “reload.” They are sitting there with their next sentence chambered and ready to fire, waiting for you to take a breath so they can tell you why their dog’s surgery was much more interesting than your trip to the Grand Canyon. This is especially true with comedians. (Trust me, I know my people.) You can see it in our eyes: the lights are on, but the brain is just running a script for a bit we want to try out. We aren’t hearing your words; we’re just measuring the silence between them.It’s like trying to merge onto a highway during rush hour. There is no opening. If you do find a half-second of silence, we will just talk over you because we’ve convinced ourselves that our anecdote about a weird Uber driver is more important than your news about a promotion. ### 1. The Public Filter**The Rule:** Watch your language and your topics of conversation when children or the elderly are within earshot.**The Explanation:** There is a time and a place for everything. The time for your detailed, profanity-laden retelling of your bachelor party in Vegas is not while standing in line at a Disney World ice cream stand. It’s about maintaining the “Sanctity of the Sphere.” Kids shouldn’t learn new four-letter words while waiting for a Dole Whip, and someone’s grandmother shouldn’t have to hear your graphic opinions on political scandals while she’s trying to enjoy a quiet lunch at the [Italian American Club](https://markriccadonna.com/event/italian-american-club). It’s called a “filter,” and it’s what keeps us from being a society of screaming baboons.**▼These rules aren’t meant to be shackles; they’re the grease that keeps the world turning. Without them, we’re just a bunch of people standing in a very long, very loud, very confused line. Let’s try to be a little better out there. Or at the very least, let the people in Row 1-5 off the plane first. It’s just common decency.

Recent Posts

  • Forever Young: Why Rod Stewart Puts Me in a Parenting Predicament
  • The Soundtrack That Built Me
  • life rules
  • Best Opening Scenes
  • “Hey, It’s That Guy!”: A Tribute to the Most Prolific Character Actors

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